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© 2019 by Desmond Kon Zhicheng-Mingdé

SELECTED JOURNAL

PUBLICATIONS

“A poem begins as a lump in the throat,

a sense of wrong,

a homesickness, a lovesickness.

 

~ Robert Frost ~

Widely anthologised, Desmond’s writing has appeared in over 200 literary venues, including such prominent publications as: AGNI, Ambit, Asymptote, Blackbird, Confrontation, Copper Nickel, Cutbank, DIAGRAM, Drunken Boat, Esquire SingaporeFaultline, Fence, Gulf Coast, Harvard Review, Hayden’s Ferry Review, Jacket2, New Orleans Review, Notre Dame ReviewPANK, Pinch, QLRS, Seneca Review, Smartish Pace, Sonora Review, T: The New York Times Style Magazine Singapore​The Massachusetts Review, The New Guard, University of Canberra VC International Poetry Prize Anthology,  and Versal.

At Kitaab.org, on which he acts as poetry editor, Desmond created the Lounge Chair Interview Series as another space to promote writers and/or writing with an Asian focus.

Below is a list of assorted poetry and prose pieces, and the fine publications they found a home in:

“Five Prose Poems”

Asymptote

“Scholem in Forty Winged Hours”

Terrain.org

“Eight Prose Poems”

The Writing Disorder

“Eunoia Eye to Eye: A Sestina”

Strokestown International Poetry Festival

“Button Under the Couch at 20 Maresfield Gardens”

Smartish Pace

“Seven Poems”

Notre Dame Review Online Companion

“Reading Rimbaud at Tunstall”

The Winter Anthology

“Sestina”

The Animated Reader:

Poetry in the Surround Audience

“Excerpts From Gigi’s Graphologist”

Esquire Singapore

“Seated Between Kensho and Numinosity”

Poetry.sg

“The Martian Martian Poet and Green Groupie”

PANK

“Hsuan Tsang Before the Taklamakan Desert”

Mascara Literary Review

“Hagiography by the Jordan”

Literary Bohemian

“Scholem in One Uneven Hour”

AGNI

“Strangely, This Metamodernist Yellow”

T: The New York Times Style

Magazine Singapore

“Three Poems”

Blackbox Manifold

“When Dada Ordered Chinese”

Seneca Review

“de haut en bas :: from high to low”

Quarterly Literary Review Singapore

“x is for xyst”

Thirty Days: Best of Tupelo 30/30 Project

“dang tou bang he: this is a timely warning”

The Massachusetts Review

“Two Poems”

Gulf Coast

“Darkness”

Hayden’s Ferry Review

“The Return of Dada”

Ambit

“spurious and sacrificial”

Harvard Review

“Three Extracts”

Singapore Literature Prize: 

Celebrating Our Writers 1992–2018

“first falling, to get here, ferric by foot”

Lantern Review

“res signata restituere retributio”

New Orleans Review

“Poe’s Catalina in Another Life: A Noh Poem”

Underneath: The University of Canberra

Vice-Chancellor’s International Poetry Prize Anthology

“Earth Shapes”

Regarding Singapore

“Dear Bhikkhu: A Eulogy”

Solstice 

“Horseshoe: A Sestina”

Mo: Special Movember Anthology

“Three Poems”

Ditch

“Two Poems”

Starry Island: New Writing From Singapore

I Like Tom Sawyer Island

Read Write [Hand]: A Nick Cave Reader

“neonate sonnet in ten-plus-four movements”

Fence

“Gertrude Stein’s Agnosia”

Fuselit

“Because of Singularity and Convergence”

Bite My Manifesto

“Two Poems”

Hamilton Stone Review

“Dream of the Window Soul: Behold de Man”

(a collaboration with Eric Tinsay Valles)

Pirene’s Fountain Tenth Anniversary Edition 

“Two Questions Between Two Roundtable Discussions”

Everyday Genius

“Four Prose Poems”

Tripwire

“Two Questions Between the Concretists

and Color Field Painting” 

Pindeldyboz

“Two Sonnets and Starlings in a Cluster”

Sunrise From Blue Thunder: Japan’s Earthquake-Tsunami Relief

“Four Poems”

Spork Press

“as with atomism a pearlescent senryu”

Prime Number Magazine

“thank god its disco friday”

Monkeybicycle

“finding the actual lengths and widths”

Sonora Review

“Voices in the Round”

SG Poems 2015-2016

“Two Vignettes”

Grey Sparrow Journal

i is for idealismus”

Of Zoos

“Four Poems”

Escape Into Life

“Coast”

Coast: A Mono-Titular Anthology

of Singapore Writing

“terminus :: limit and boundary”

Mandala Journal

“Grenouille Bleue”

Malala: Poems for Malala Yousafzai

“Four Poems”

Wag’s Revue

“If Jeffrey Smart Painted James Joyce”

Little Red Tree Poetry Prize Anthology

“Two Poems”

The Citron Review

“a genre from without”

Confrontation

“pitcairn hierarchy”

Faultline

“y is for yevtushenko”

Eunoia Review

“Story”

[C.] An MLP Stamp Stories Anthology

“Beyond the Loge”

SingaPoetry: An Anthology of Singapore Poems 

“a haiku is a factor of unwanted sound”

Marco Polo

“a kuhi and looking for li rong”

Voices Israel Anthology

“Bon Homie :: Good Nature”

Front Porch: American Athenaeum

“Excerpts from Antediluvian Birdsong” 

Cricket Online Review

 

“homeostasis, then hypergraphia”

Versal

“a haiku is a wheel and axle”

The Smoking Poet

“illusionism is a waveform of haiku”

Sugar Mule

“Eunoia Eye to Eye: A MoMa Sestina”

CutBank

“October Evensong”

In Transit: An Anthology

“Poem”

Ekphrastia Gone Wild

“Stone Soup: A Villanelle”

Cabinet des Fées 

“The Anti-Art Puzzle Box Starring

Diogenes of Sinope”

This is How You Walk on the Moon:

An Anthology of Anti-Realist Fiction

“The Cubists Mirage”

The Monarch Review

“Silence Reified”

Cha: An Asian Literary Journal

“Poem”

Pismire

“a place map and the tanka of time”

Switched-on Gutenberg 

“Field Notes on the Flaming Heart”

Call and Response: A Migrant/Local

Poetry Anthology 

“Villanelles”

In the Garden of the Crow: An Anthology

“Eleven Ways of Looking at a Square”

UNION: 15 Years of Drunken Boat,

50 Years of Writing From Singapore

“Starry Starry Night”

Lines Spark Code

“Blood Promise”

Anomalous Press

“When Dada Wrote Koans”

Café Irreal

“curiosa :: oddities”

LONTAR 4: The Journal of Southeast Asian Speculative Fiction

“quaere :: seek and ask”

LONTAR 6: The Journal of Southeast Asian Speculative Fiction

“The Anti-Art Anti-Evolution of

Manic Piggy Dream Gurrl”

LONTAR 7: The Journal of Southeast Asian Speculative Fiction

“Two Stories About Bloomsday

LONTAR 8: The Journal of Southeast Asian Speculative Fiction

“edward hopper is a haiku in its corner”

Barnstorm

“the arietta at the end of this kuhi”

Bluestem

“tychism is a senryu at dusk”

IthacaLit

“rebound”

(a collaboration with Hsiao-Shih Raechel Lee)

Parcel

“Five Vignettes”

Gone Lawn

“for the constants of hokku”

Scholars & Rogues Literary Journal 

“Three Poems”

Qarrtsiluni

“art brut is a gogyohka in charcoal”

Numinous: Spiritual Poetry

“Patmos Blues Along Highway 131”

Unfree Verse

“pitcairn canticle (of canticles)”

The Pinch Journal

“cacoethes scribendi”

Stonecoast Review

“A Haiku and the Orchestral”

SLAB Literary Magazine

“a haiku is diego velazquez at home”

Umbrella Factory Magazine

 

 

“A Cavernous Joy”

Nano Fiction

“Fourteen Hours Before Exile”

Twenty-Four Flavours: Century Egg

“Requiem Aeternam”

Twenty-Four Flavours: Chicken Rice

“Ibsen’s Wild Duck on Apron Stage”

Twenty-Four Flavours: Salted Vegetables

and Duck Soup

“What We Saw Beyond Banda Sea”

(freely distributed to heighten awareness

about dolphin rescue)

Twenty-Four Flavours: Dolphin Meat

“a memorial, living area”

Kartika Review

“{hidden stairwell and subway}”

The Bend

“Waiting”

Get Lucky: An Anthology of Philippine

and Singapore Writings

“reading gunnar björling [i] & [ii]”

Caper Literary Journal

 

“Ars Poetica: Pubescense”

Portland Review

“Soma”

Turning Wheel

“ronald johnson is digging a grave

outside of mongolia”

SingPoWriMo 2014: The Anthology

“the reluctant pangram”

SingPoWriMo 2015: The Anthology

“Not Forgetting Brigadoon”

SingPoWriMo 2016: The Anthology

“bus 138 to nowhere and back”

SingPoWriMo 2017: The Anthology

“Triśatikā Prajñāpāramitā Sūtra”

SingPoWriMo 2018: The Anthology

“Popcorn Neuroses: Ghost”

Old Red Kimono

“a faded postcard is a tanka daydream”

Platte Valley Review

“About a Coin, Contemplation and New Koans”

From Walden to Woodlands: 

An Anthology of Nature Poems

“Echo’s Epithalamium”

Twin Cities: An Anthology of Twin Cinema From Singapore and Hong Kong

“Two Postcard Fictions”

Fwriction : Review

“Two Nanofictions”

Nanoism

“a haiku is a building’s inner light”

Dark Sky Magazine

“Antediluvian Kural on Twitter”

The Nervous Breakdown

“At First Sight (A Cardinal Number)”

Harpur Palate

“A Newspaper Report in Four Acts”

Xavier Review

“Flying in the Face of Denouement”

Balik Kampung 2B: Contemplations

“I have fond memories of Toa Payoh...”

50 Metres: Our Swimming Pools

“Middle Kingdom”

Poetry at Sangam

“as with a senryu’s hardening ridge”

The Corner Club Press

“enjoy the airfield”
Presence

 

“a tanka is an express movement”
Saltwater Quarterly

 

 

“phenomenalism is a kuhi in amargein green”

Floorboard Review

“humanism is a manicured haiku”

Mad Swirl

 

 

“A Nocturnal Variation”
Straylight Literary Arts Magazine

 

 

“Vignette 009”
Grey Sparrow

 

“The Million-Line Poem”

(a collaborative couplet sequence)

Tupelo Press

“as with prosopopoeia an old haiku”

Psychic Meatloaf

“k is for khora”

Glint Literary Journal

“Grenouille Bleue”

Vallum

“Fiction”
EDGZ: Conversations at the Borderland

“ab ovo :: from the beginning”

Noah Magazine

“de gustibus non est disputandum”

Niche Literary Magazine

“Picasso the Poet”
Xconnect: Writers of the Information Age

 

“sensationalism is a flapjack haiku”
Barge Journal

“tutiorism is a glass-eyed senryu”

The Meadowland Review

“classicism is a haiku behind a doric column”

Marco Polo Quarterly

“Untitled”

Poems for a Liminal Age

“as with a haiku’s point reflection”
The Legendary

oeil de perdrix :: eye of the partridge

The Black Herald 

“seeing paul klee in green on green, 1938”

Halfway Down The Stairs 

“murmur, the making of it”
(ekphrastic epigraph in a fashion feature)
Hype

“Five Prose Poems”

Ginosko Literary Journal

“The Dispassion of Hasegawa Tōhaku”

The Nature of Poetry

“as with a senryu’s lost innocence”

St Sebastian Review

“l is for lewis in the cathedral”

Silk & Spice

“Spinoza”

The Penwood Review

“Eidola”

Gertrude

“The Bio as Prose Poem: B to Z”

In Posse Review 


“m is for multiplicity”

Soundings Review

“a kuhi within qian chu’s last poem”

Radioactive Moat

“a last song is an area-mapped haiku”

REM Magazine